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<title>scott.j38.net » archive » TypeStar</title>
<link>http://scott.j38.net/interactive/typestar/</link>
<description>This is a screencast of a Processing sketch I developed called TypeStar. It’s basically a karaoke machine that renders lyrics in realtime according to a number of preset visualization schemes.

It was originally created for a project in my Type in Motion class which required students to create a kinetic type animation for the Busy Bee scene from the movie Best in Show. I decided that rather than create yet another kinetic type piece, I would write a kinetic type engine.</description>
<dc:date>2009-12-18T22:19:24Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>motiondesign, typography, music</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://scott.j38.net/interactive/typestar/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/0570fed16198ad7d08a937d5910c2d87.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://scott.j38.net/interactive/typestar/">scott.j38.net » archive » TypeStar</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">This is a screencast of a Processing sketch I developed called TypeStar. It’s basically a karaoke machine that renders lyrics in realtime according to a number of preset visualization schemes.

It was originally created for a project in my Type in Motion class which required students to create a kinetic type animation for the Busy Bee scene from the movie Best in Show. I decided that rather than create yet another kinetic type piece, I would write a kinetic type engine.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/motiondesign">motiondesign</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/typography">typography</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/music">music</a>
</p>
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<title>Apartheid in South Africa : un album sur Flickr</title>
<link>http://www.flickr.com/photos/un_photo/sets/72157614394196933/</link>
<description>Apartheid became the official policy of the Government of South Africa in 1948, following the election of the Herenigde Nasionale Party, later renamed the National Party. Under this policy, racial discrimination was institutionalized. The lives of the Africans, who made up almost 75 per cent of the population, were controlled by the unjust segregation laws from birth to the grave. They were proscribed where to live, who to marry and the type of education they would receive in the country of their birth. </description>
<dc:date>2009-12-18T22:13:02Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>flickr, humanitarian, politics, photography</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.flickr.com/photos/un_photo/sets/72157614394196933/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/408c5db6d9a0b76e1468a62c8e08b912.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.flickr.com/photos/un_photo/sets/72157614394196933/">Apartheid in South Africa : un album sur Flickr</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Apartheid became the official policy of the Government of South Africa in 1948, following the election of the Herenigde Nasionale Party, later renamed the National Party. Under this policy, racial discrimination was institutionalized. The lives of the Africans, who made up almost 75 per cent of the population, were controlled by the unjust segregation laws from birth to the grave. They were proscribed where to live, who to marry and the type of education they would receive in the country of their birth. </p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/flickr">flickr</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/humanitarian">humanitarian</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/politics">politics</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/photography">photography</a>
</p>
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<title>GarnishBar™ - Friends with a twist™</title>
<link>http://www.garnishbar.com/</link>
<description>GarnishBar helps you find and make great cocktails.</description>
<dc:date>2009-12-18T22:12:14Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>cocktails, recettes</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.garnishbar.com/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/423ebbbfcd471ea1339355a28693812d.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.garnishbar.com/">GarnishBar™ - Friends with a twist™</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">GarnishBar helps you find and make great cocktails.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/cocktails">cocktails</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/recettes">recettes</a>
</p>
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<title>Helvetiq iPhone App</title>
<link>http://iphone.helvetiq.ch/</link>
<description></description>
<dc:date>2009-12-18T18:22:13Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>iphone</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://iphone.helvetiq.ch/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/26198adb08d11b33997c17054ce69cda.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://iphone.helvetiq.ch/">Helvetiq iPhone App</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/iphone">iphone</a>
</p>
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<title>Hipstamatic iPhone App - Digital Photography Never Looked So Analog</title>
<link>http://hipstamaticapp.com/</link>
<description></description>
<dc:date>2009-12-18T18:21:53Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>photography, iphone</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://hipstamaticapp.com/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/e43a215086b011370cb56be54bebf776.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://hipstamaticapp.com/">Hipstamatic iPhone App - Digital Photography Never Looked So Analog</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/3441074">1 other(s)</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/photography">photography</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/iphone">iphone</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058624584">
<title>LastFM Love/Twitter mashup</title>
<link>http://lastfmlovetweet.com/</link>
<description>After siging up, any track that you 'love' on lastfm will automatically generate a tweet from you that has the track's artist and name, as well as a link to it so your followers can give it a listen. </description>
<dc:date>2009-12-18T15:49:20Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>twitter, Last.FM</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://lastfmlovetweet.com/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/6f062730efdae5c77c74f344e9c64a04.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://lastfmlovetweet.com/">LastFM Love/Twitter mashup</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/3296917">1 other(s)</a> 
<p class="description">After siging up, any track that you 'love' on lastfm will automatically generate a tweet from you that has the track's artist and name, as well as a link to it so your followers can give it a listen. </p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/twitter">twitter</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/Last.FM">Last.FM</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058624423">
<title>WooConcept / Blog &gt; shorTunes : AppleScript pour iTunes + bit.ly &gt; Twitter</title>
<link>http://wooconcept.com/blog/shortunes-applescript-pour-itunes-bit-ly-twitter.html</link>
<description>Tout le monde (presque…) utilise Twitter, je l’utilise également. Bien souvent pour envoyer un tweet avec autre chose que tu texte il faut associer sont compte Twitter à un service extérieur.</description>
<dc:date>2009-12-18T11:43:32Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>twitter, itunes</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://wooconcept.com/blog/shortunes-applescript-pour-itunes-bit-ly-twitter.html"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/b3d4f80b5d2f587f5d6da93a6b3cbf02.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://wooconcept.com/blog/shortunes-applescript-pour-itunes-bit-ly-twitter.html">WooConcept / Blog &gt; shorTunes : AppleScript pour iTunes + bit.ly &gt; Twitter</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Tout le monde (presque…) utilise Twitter, je l’utilise également. Bien souvent pour envoyer un tweet avec autre chose que tu texte il faut associer sont compte Twitter à un service extérieur.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/twitter">twitter</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/itunes">itunes</a>
</p>
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<title>tint.de ¬ TwiTunes Applescript</title>
<link>http://tint.de/twitunes-applescript</link>
<description>This is a combination of Coda’s Tweet Quicksilver script and some lines from Doug’s Applescripts. Big thanks to both!</description>
<dc:date>2009-12-18T11:30:51Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>twitter, itunes</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://tint.de/twitunes-applescript"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/2963c046026861cdb13f6b7ca19a7afc.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://tint.de/twitunes-applescript">tint.de ¬ TwiTunes Applescript</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">This is a combination of Coda’s Tweet Quicksilver script and some lines from Doug’s Applescripts. Big thanks to both!</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/twitter">twitter</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/itunes">itunes</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058624404">
<title>Browser Size</title>
<link>http://browsersize.googlelabs.com/</link>
<description>Google Browser Size is a visualization of browser window sizes for people who visit Google. For example, the &quot;90%&quot; contour means that 90% of people visiting Google have their browser window open to at least this size or larger.</description>
<dc:date>2009-12-18T10:53:44Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>webdesign, interface, ui</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://browsersize.googlelabs.com/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/182e3946c50cb677a8a3509f0cff1d0a.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://browsersize.googlelabs.com/">Browser Size</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/3441465">3 other(s)</a> 
<p class="description">Google Browser Size is a visualization of browser window sizes for people who visit Google. For example, the "90%" contour means that 90% of people visiting Google have their browser window open to at least this size or larger.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/webdesign">webdesign</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/interface">interface</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ui">ui</a>
</p>
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<title>Espace Japon </title>
<link>http://www.espacejapon.com/</link>
<description>Espace Japon, passerelle entre la France et le Japon, est un espace culturel franco-japonais, situé entre la place de République et Gare de l'Est Paris 10ème. Visité par les personnes japonaises de Paris et par les non-Japonais curieux du Japon, il propose une bibliothèque bilingue (25000 ouvrages), un espace exposition, des cours de langues et des activités culturelles.</description>
<dc:date>2009-12-18T10:48:37Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>shop, culture, location:paris</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.espacejapon.com/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/18/8d3a4bf0b49ca6db595c844b3e6a0ca3.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.espacejapon.com/">Espace Japon </a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/77124">3 other(s)</a> 
<p class="description">Espace Japon, passerelle entre la France et le Japon, est un espace culturel franco-japonais, situé entre la place de République et Gare de l'Est Paris 10ème. Visité par les personnes japonaises de Paris et par les non-Japonais curieux du Japon, il propose une bibliothèque bilingue (25000 ouvrages), un espace exposition, des cours de langues et des activités culturelles.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/shop">shop</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/culture">culture</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/location%253Aparis">location:paris</a>
</p>
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<title>L'histoire du Kendo en france</title>
<link>http://www.chaken.fr/articlehistoire.html</link>
<description>Cet article a été écrit par Mr Tanguy L'Aminot, chercheur au CNRS à La Sorbonne. Toute critique ou réflexion concernant cet article lui sera transmise. Nous sommes en particulier à la recherche de tous documents anciens (photos ou texte) nous permettant, soit d'illustrer la pratique ancienne du kendo au Japon et dans les pays de civilisations et de mentalité européennes, soit de montrer au travers de textes journalistiques ou littéraire la perception de l'escrime japonaise par les écrivains et la presse occidentale .</description>
<dc:date>2009-12-17T09:40:33Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>martial arts</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.chaken.fr/articlehistoire.html"><img border="0" src="http://blogmarks.net/screenshots/2009/12/17/e97f32fd39bc7a2f1ac51e411ccad905.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.chaken.fr/articlehistoire.html">L'histoire du Kendo en france</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Cet article a été écrit par Mr Tanguy L'Aminot, chercheur au CNRS à La Sorbonne. Toute critique ou réflexion concernant cet article lui sera transmise. Nous sommes en particulier à la recherche de tous documents anciens (photos ou texte) nous permettant, soit d'illustrer la pratique ancienne du kendo au Japon et dans les pays de civilisations et de mentalité européennes, soit de montrer au travers de textes journalistiques ou littéraire la perception de l'escrime japonaise par les écrivains et la presse occidentale .</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/martial%2Barts">martial arts</a>
</p>
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<title>Chaken Le site du kendo en Charentes</title>
<link>http://www.chaken.fr/articlekendobd.html</link>
<description>Je ne donnerai pas dans ces pages une histoire exhaustive du kendo, tel qu'il apparaît dans la bande dessinée occidentale. Rien que quelques commentaires destinés à servir de fil conducteur d'une image à l'autre. Je serais d'ailleurs heureux de recevoir des compléments d'information de la part des lectrices et lecteurs, afin de compléter et enrichir ce point négligé de la connaissance de l'escrime japonaise en Occident.</description>
<dc:date>2009-12-17T09:39:53Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>bd, martial arts</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.chaken.fr/articlekendobd.html"><img border="0" src="http://blogmarks.net/screenshots/2009/12/17/31fc5edf00937f4e6e19838c32440cb3.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.chaken.fr/articlekendobd.html">Chaken Le site du kendo en Charentes</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Je ne donnerai pas dans ces pages une histoire exhaustive du kendo, tel qu'il apparaît dans la bande dessinée occidentale. Rien que quelques commentaires destinés à servir de fil conducteur d'une image à l'autre. Je serais d'ailleurs heureux de recevoir des compléments d'information de la part des lectrices et lecteurs, afin de compléter et enrichir ce point négligé de la connaissance de l'escrime japonaise en Occident.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/bd">bd</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/martial%2Barts">martial arts</a>
</p>
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<title>Shinzen Dojo - Accueil</title>
<link>http://www.shinzen-dojo.net/</link>
<description>Le SHINZEN DOJO est né officiellement en septembre 1999, mais son histoire remonte à la fin des années 80 lorsque les pratiquants de plusieurs dojo parisiens ont regroupé leurs efforts pour suivre ensemble l'enseignement de la voie du sabre japonais dispensé par Bernard DURAND, 7ème Dan Kyoshi de Kendo.</description>
<dc:date>2009-12-17T09:35:18Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>martial arts, location:paris, Bernard Durand</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.shinzen-dojo.net/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/17/d719d5121eb9a16a93b88b2dda2fda2c.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.shinzen-dojo.net/">Shinzen Dojo - Accueil</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Le SHINZEN DOJO est né officiellement en septembre 1999, mais son histoire remonte à la fin des années 80 lorsque les pratiquants de plusieurs dojo parisiens ont regroupé leurs efforts pour suivre ensemble l'enseignement de la voie du sabre japonais dispensé par Bernard DURAND, 7ème Dan Kyoshi de Kendo.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/martial%2Barts">martial arts</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/location%253Aparis">location:paris</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/Bernard%2BDurand">Bernard Durand</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058622455">
<title>The CocoaBots</title>
<link>http://thecocoabots.com/</link>
<description># You need to have passion for software design and development to be able to do it well
# The correct answer to any situation is the simple, maintainable answer
# Applications not only have to work well, they must be attractive and pleasing to use – user experience is critical to the success of any app</description>
<dc:date>2009-12-16T09:27:33Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>software, interface, ui, mac</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://thecocoabots.com/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/16/20a9ba5d8b0a0bd47398fd741e491a29.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://thecocoabots.com/">The CocoaBots</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description"># You need to have passion for software design and development to be able to do it well
# The correct answer to any situation is the simple, maintainable answer
# Applications not only have to work well, they must be attractive and pleasing to use – user experience is critical to the success of any app</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/software">software</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/interface">interface</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ui">ui</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/mac">mac</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058622453">
<title>Convertbot - Tapbots</title>
<link>http://tapbots.com/convertbot/</link>
<description>
Convertbot

Convertbot is a unit conversion robot. Convert currency, length, mass, time and much more in an exciting new way! Converting numbers will never again be a mundane task. In addition to its innovative interface, our robot is smart enough to convert to and from mixed units. Are you 5 foot 9 inches tall? Other converters require you to convert that to 5.75 ft in your head before being able to enter it. Convertbot allows mixed units like Foot + Inches, Pounds + Ounces, and more!</description>
<dc:date>2009-12-16T09:22:23Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>iphone, interface, ui, tools, software</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://tapbots.com/convertbot/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/16/2e79bdb13acbebeda86df1a200cf8798.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://tapbots.com/convertbot/">Convertbot - Tapbots</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">
Convertbot

Convertbot is a unit conversion robot. Convert currency, length, mass, time and much more in an exciting new way! Converting numbers will never again be a mundane task. In addition to its innovative interface, our robot is smart enough to convert to and from mixed units. Are you 5 foot 9 inches tall? Other converters require you to convert that to 5.75 ft in your head before being able to enter it. Convertbot allows mixed units like Foot + Inches, Pounds + Ounces, and more!</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/iphone">iphone</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/interface">interface</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ui">ui</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/tools">tools</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/software">software</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058622452">
<title>Where is Gary?</title>
<link>http://whereisgary.net/?lang=fr</link>
<description>Les lignes de temps interactives (timelines) sont des exemples de formalisations séquentielles, des parcours de navigation dans l’information qui rompent avec la conception d’une interaction à simplement “cliquer/pointer”. Dans les timelines, l’implication gestuelle de l’internaute prend une signification particulière, avec un sens de lecture horizontal et cette notion de défilement, culturellement plus détachée de la métaphore de la page écran, en lecture verticale. Même si par ailleurs les lignes de temps empruntent leur culture à l’histoire comme discipline (les frises chronologiques que chacun a parcouru en classe) et que les manuels scolaires les ont consacrées comme une scénographie de l’information privilégiée pour la représentation du temps.</description>
<dc:date>2009-12-16T09:21:45Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>webdocumentaire</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://whereisgary.net/?lang=fr"><img border="0" src="http://blogmarks.net/screenshots/2009/12/16/83fb7be988e82cdf9d19906f070efe7f.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://whereisgary.net/?lang=fr">Where is Gary?</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/3440646">1 other(s)</a> 
<p class="description">Les lignes de temps interactives (timelines) sont des exemples de formalisations séquentielles, des parcours de navigation dans l’information qui rompent avec la conception d’une interaction à simplement “cliquer/pointer”. Dans les timelines, l’implication gestuelle de l’internaute prend une signification particulière, avec un sens de lecture horizontal et cette notion de défilement, culturellement plus détachée de la métaphore de la page écran, en lecture verticale. Même si par ailleurs les lignes de temps empruntent leur culture à l’histoire comme discipline (les frises chronologiques que chacun a parcouru en classe) et que les manuels scolaires les ont consacrées comme une scénographie de l’information privilégiée pour la représentation du temps.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/webdocumentaire">webdocumentaire</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058622442">
<title>Color Chart: Reinventing Color from 1950 to Today</title>
<link>http://www.moma.org/interactives/exhibitions/2008/colorchart/flashsite/</link>
<description>This exhibition takes as its point of departure the commercial color chart, an item that openly declares the status of color as mass-produced and standardized. Midway through th twentieth century, long-held convictions regarding the spiritual or emotional power of particular colors gave way to the embrace of color as an ordinary commodity.</description>
<dc:date>2009-12-16T09:14:04Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>color, timeline</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.moma.org/interactives/exhibitions/2008/colorchart/flashsite/"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.moma.org/interactives/exhibitions/2008/colorchart/flashsite/">Color Chart: Reinventing Color from 1950 to Today</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/3208913">1 other(s)</a> 
<p class="description">This exhibition takes as its point of departure the commercial color chart, an item that openly declares the status of color as mass-produced and standardized. Midway through th twentieth century, long-held convictions regarding the spiritual or emotional power of particular colors gave way to the embrace of color as an ordinary commodity.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/color">color</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/timeline">timeline</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058622441">
<title>BBC - History - Timelines - British Timeline</title>
<link>http://www.bbc.co.uk/history/interactive/timelines/british/index.shtml</link>
<description></description>
<dc:date>2009-12-16T09:11:11Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>timeline</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.bbc.co.uk/history/interactive/timelines/british/index.shtml"><img border="0" src="http://blogmarks.net/screenshots/2009/12/16/cf92f4ff9017d144ab1f45662f0c1bb7.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.bbc.co.uk/history/interactive/timelines/british/index.shtml">BBC - History - Timelines - British Timeline</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/3076317">1 other(s)</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/timeline">timeline</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058622437">
<title>Google News Timeline</title>
<link>http://newstimeline.googlelabs.com/</link>
<description></description>
<dc:date>2009-12-16T09:08:39Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>google, news, timeline</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://newstimeline.googlelabs.com/"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://newstimeline.googlelabs.com/">Google News Timeline</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/3169098">2 other(s)</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/google">google</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/news">news</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/timeline">timeline</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058622434">
<title>Benoît Drouillat | Tag Archive | timeline</title>
<link>http://www.drouillat.com/tag/timeline/</link>
<description>Les lignes de temps interactives (timelines) sont des exemples de formalisations séquentielles, des parcours de navigation dans l’information qui rompent avec la conception d’une interaction à simplement “cliquer/pointer”. Dans les timelines, l’implication gestuelle de l’internaute prend une signification particulière, avec un sens de lecture horizontal et cette notion de défilement, culturellement plus détachée de la métaphore de la page écran, en lecture verticale. Même si par ailleurs les lignes de temps empruntent leur culture à l’histoire comme discipline (les frises chronologiques que chacun a parcouru en classe) et que les manuels scolaires les ont consacrées comme une scénographie de l’information privilégiée pour la représentation du temps.</description>
<dc:date>2009-12-16T09:07:28Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>timeline</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.drouillat.com/tag/timeline/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/16/47a4e8c5f001d57b4b141b0f473e90b1.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.drouillat.com/tag/timeline/">Benoît Drouillat | Tag Archive | timeline</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Les lignes de temps interactives (timelines) sont des exemples de formalisations séquentielles, des parcours de navigation dans l’information qui rompent avec la conception d’une interaction à simplement “cliquer/pointer”. Dans les timelines, l’implication gestuelle de l’internaute prend une signification particulière, avec un sens de lecture horizontal et cette notion de défilement, culturellement plus détachée de la métaphore de la page écran, en lecture verticale. Même si par ailleurs les lignes de temps empruntent leur culture à l’histoire comme discipline (les frises chronologiques que chacun a parcouru en classe) et que les manuels scolaires les ont consacrées comme une scénographie de l’information privilégiée pour la représentation du temps.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/timeline">timeline</a>
</p>
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<title>Timeline: The Selling of the Cellphone -- and Warnings Unheeded - Interactive - NYTimes.com</title>
<link>http://www.nytimes.com/interactive/2009/12/07/technology/07distracted-timeline.html?ref=multimedia</link>
<description>Since 1984, when car phones came into fashion, they were quickly marketed to drivers as a means to mobile freedom. Studies would soon show that using a phone while driving could be a distraction for motorists. Still, the industry resisted legislative action to ban handsets in cars, as warnings about distracted driving went unheeded.</description>
<dc:date>2009-12-16T09:05:24Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>mobile, timeline</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.nytimes.com/interactive/2009/12/07/technology/07distracted-timeline.html?ref=multimedia"><img border="0" src="http://blogmarks.net/screenshots/2009/12/16/e32bd3a9adb4e80f51f54e52bf9a291c.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.nytimes.com/interactive/2009/12/07/technology/07distracted-timeline.html?ref=multimedia">Timeline: The Selling of the Cellphone -- and Warnings Unheeded - Interactive - NYTimes.com</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Since 1984, when car phones came into fashion, they were quickly marketed to drivers as a means to mobile freedom. Studies would soon show that using a phone while driving could be a distraction for motorists. Still, the industry resisted legislative action to ban handsets in cars, as warnings about distracted driving went unheeded.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/mobile">mobile</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/timeline">timeline</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058622429">
<title>Timeline - Israel, the Gaza Strip and Hamas - Interactive Feature - NYTimes.com</title>
<link>http://www.nytimes.com/interactive/2009/01/04/world/20090104_ISRAEL-HAMAS_TIMELINE.html?scp=2&amp;sq=timeline&amp;st=cse</link>
<description>Major events in the longstanding conflict over control of the Gaza Strip and the creation of Hamas.</description>
<dc:date>2009-12-16T09:04:26Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>timeline, gaza sderot</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.nytimes.com/interactive/2009/01/04/world/20090104_ISRAEL-HAMAS_TIMELINE.html?scp=2&amp;sq=timeline&amp;st=cse"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.nytimes.com/interactive/2009/01/04/world/20090104_ISRAEL-HAMAS_TIMELINE.html?scp=2&amp;sq=timeline&amp;st=cse">Timeline - Israel, the Gaza Strip and Hamas - Interactive Feature - NYTimes.com</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Major events in the longstanding conflict over control of the Gaza Strip and the creation of Hamas.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/timeline">timeline</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/gaza%2Bsderot">gaza sderot</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058622428">
<title>Timeline of Climate Change Science and Politics - Interactive Feature - NYTimes.com</title>
<link>http://www.nytimes.com/interactive/2009/12/07/science/20091207_CLIMATE_TIMELINE.html?scp=11&amp;sq=timeline&amp;st=cse</link>
<description>From Joseph Fourier to James Hansen, NOAA to I.P.C.C., and Kyoto to Copenhagen, a look at the history of climate study and diplomacy in the modern age of global warming.</description>
<dc:date>2009-12-16T09:03:57Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>politics, timeline, environment</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.nytimes.com/interactive/2009/12/07/science/20091207_CLIMATE_TIMELINE.html?scp=11&amp;sq=timeline&amp;st=cse"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.nytimes.com/interactive/2009/12/07/science/20091207_CLIMATE_TIMELINE.html?scp=11&amp;sq=timeline&amp;st=cse">Timeline of Climate Change Science and Politics - Interactive Feature - NYTimes.com</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">From Joseph Fourier to James Hansen, NOAA to I.P.C.C., and Kyoto to Copenhagen, a look at the history of climate study and diplomacy in the modern age of global warming.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/politics">politics</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/timeline">timeline</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/environment">environment</a>
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<title>Twitter Chatter During the Super Bowl - Interactive Map - NYTimes.com</title>
<link>http://www.nytimes.com/interactive/2009/02/02/sports/20090202_superbowl_twitter.html?scp=50&amp;sq=timeline&amp;st=cse</link>
<description>As the Steelers and Cardinals battled on the field, Twitter users across the nation pecked out a steady stream of &quot;tweets.&quot; The map shows the location and frequency of commonly used words in Super Bowl related messages.</description>
<dc:date>2009-12-16T09:02:51Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>twitter, timeline, sports</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.nytimes.com/interactive/2009/02/02/sports/20090202_superbowl_twitter.html?scp=50&amp;sq=timeline&amp;st=cse"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.nytimes.com/interactive/2009/02/02/sports/20090202_superbowl_twitter.html?scp=50&amp;sq=timeline&amp;st=cse">Twitter Chatter During the Super Bowl - Interactive Map - NYTimes.com</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">As the Steelers and Cardinals battled on the field, Twitter users across the nation pecked out a steady stream of "tweets." The map shows the location and frequency of commonly used words in Super Bowl related messages.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/twitter">twitter</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/timeline">timeline</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/sports">sports</a>
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<title>1969 - The New York Times</title>
<link>http://www.nytimes.com/packages/html/arts/20090717-1969-feature/</link>
<description></description>
<dc:date>2009-12-16T09:02:16Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>timeline</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.nytimes.com/packages/html/arts/20090717-1969-feature/"><img border="0" src="http://blogmarks.net/screenshots/2009/12/16/6e959a8c5da9093549b580fdac6b7910.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.nytimes.com/packages/html/arts/20090717-1969-feature/">1969 - The New York Times</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/timeline">timeline</a>
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